Trinh T. Minh-ha: The Fourth Dimension (2001, 87 min)
In Trinh T. Minh-ha’s first digital film, sound becomes the fourth dimension. Sound that defines the space we look at. This personal documentary is a reflection of the time the director spent in Japan.
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Trinh T. Minh-ha: Night Passage (2004, 98 min)
Night Passage is one of the few features films that Trinh T. Minh-ha has made. Similarly to A Tale of Love, it is inspired by literature. The children’s science fiction book Milky Way Rail Road by the Japanese author Kenji Miyazawa tells the story of a boy who one day enters a magic train on a trip around the Milky Way.
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SEMINAR: Surname Nguyen, forename Jan (3:00 pm – 9:30 pm)
Stories of the migration, cultural exchange and life of the Vietnamese community in the Czech Republic /
The discussion afternoon/seminar on the topic of the intersection of Czech and Vietnamese society and culture is conceived as a series of presentations with room for open discussion.
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tranzitdisplay announces its third annual competition for university students
As part of its educational activities TD is organising for the 2014-2015 academic year another competition to find the most interesting student project that manages to present contemporary art as a regular part of our lives.
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Trinh T. Minh-ha: Reassemblage (1982, 40 min)
Tranzitdisplay invites you to a series of evening screenings – a film retrospective Trinh T. Minh-ha. On show will be films that couldn't be presented during her ongoing exhibiton due to time limitations.
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Trinh T. Min.ha: Naked Space (1985, 135 min)
Tranzitdisplay invites you to a series of evening screenings – a film retrospective Trinh T. Minh-ha. On show will be films that couldn't be presented during her ongoing exhibiton due to time limitations.
„In her works Trinh T. Minh-ha balances between documentary and experimental film.
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Otevírací doba tranzitdisplay o Vánocích / Christmas Opening hours at tranzitdisplay
Otevírací doba tranzitdisplay o Vánocích / Christmas Opening hours at tranzitdisplay
22.-26. 12. 2014 – zavřeno / closed
27.-28.12. 2014 – otevřeno / open 12,00-18,00
29.12. 2014-1.1. 2015 – zavřeno / closed
2.-4. 1. 2015 – otevřeno / open 12,00-18,00
The Pololániks – launch of the album Náměť
The Pololáníks played their first concert in 2011. A year later they were nominated for the Vinyla Prize in the category Newcomer of the Year, and in November 2014 they released their debut album Náměť on the Polí5 record label, which they are launching at tranzitdisplay.
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Tomáš Pospiszyl: Associative History of Art. Post-war art across generations and media (collage, intermedia and conceptual art, performance and film)
Is the work of contemporary artists simply recycling the experiments of the 1960s and 70s? Why are contemporary artists moving into spheres previously reserved for literature, film and theatre? Is our perception of Eastern European art prior to 1989 deformed by the political perspective?
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CARDIOSTIMULATOR – An open workshop with members of Prague Modern and Prague Modern Young
Prague Modern, a contemporary music ensemble well established on the Czech scene and abroad, is organising courses aimed at music school students and the general public. The courses will mainly take the form of open workshops focusing on ensemble playing, and are intended not only for senior school pupils and music academy students, but also for jazz musicians and keen amateurs.
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Aleksi Soselia, Galaqtion Eristavi: Descriptions
By "descriptions“ we often mean to refer to objective, plain truths.
Georgian video art, which has widely developed in the undercurrent
before establishing itself as a separate medium, offers us various
descriptions – but from a very subjective and alternative point of
view. Since the 1980s, Georgian art has undergone an evolution, which
ran parallel to the predominant, hegemonic discourse of socio-cultural
reality.
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A2 Criticism Club: Are Czech editions of world literature holding their own?
The range of modern world literature published in Czech offers readers a welcome guide to orientation on the book market. Given the often chaotic flood of new titles, publishers provide – or want to and should – a certain guarantee of quality and interest. But how do modern projects compare to traditional projects like the Odeon World Literature series? What role should such translations play these days?
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ERSTE Foundation is main partner of tranzit:
